![]() Endless love and gratitude for my Hood family, Asolo Rep, Firestarter Entertainment, and, of course, the unwavering support of my family. Some of her favorite credits include the National Tour of Beauty and the Beast, The Hunchback of Notre Dame (Ogunquit Playhouse), Lucille in Parade and Kate/Lucy in Avenue Q (3-D Theatricals). TV/Film: Kenny in A Jenkins Family Christmas (BET), Reasonable Doubt (Hulu), Invasion (Apple TV) Law & Order (NBC), Blue Bloods (CBS), The Other Two (Comedy Central), and Bull HUMPHREYS*, she/herįIRST SEASON (Clapper-Dudgeon, Voice of Bishop, Lady Anne) is beyond grateful to be making a return to live theatre and her Asolo Rep debut. Regional: West Side Story (Hollywood Bowl), Bernstein’s Mass (Disney Concert Hall), Freedom Riders (NYMF), Hairspray (Dallas Theater Center), Lempicka (NYC Lab). National Tours: Fiasco’s Into the Woods, The Book of Mormon. For Beckett and Josiah įIRST SEASON (Robert of Loxley, Robin) Broadway: Hadestown, Be More Chill. Writing: Your Alice (BAM, Edinburgh Fringe, Ophelia Theatre), Next Round (Underbelly Cowgate 2023), We Carry On - A series of radio plays. Directing: Your Alice (BAM, Edinburgh Fringe, Arcola Theatre, London), Joseph and the Amazing Technicolor Dreamcoat (SSF), and Lysistrata Jones (Nominated for Outstanding Production, NYIT Awards). Selected credits: Fairycakes (off-Broadway, Greenwich House Theatre), Ragtag Theatre's Cinderella (Soho Playhouse, Redhouse Arts, Barrington Stage Company). Regional: Hood (Dallas Theater Center) Mamma Mia! (Mill Mountain Theater) How to Succeed, Footloose, Much Ado, Pirates of Penzance (Scranton Shakes). Hood is directed by Mark Brokaw, the celebrated director behind the 2022 Tony-nominated revival of How I Learned to Drive, and choreographed by Ellenore Scott, whose work can also be seen in the current revivals of Funny Girl and Little Shop of Horrors.Ĭontains strobe light, haze, light innuendo and brief moments of stage fighting.Ĭlick here for current health and safety protocols.įIRST SEASON (Crank, Much) has worked as an actor, director, and playwright, appearing on numerous stages internationally. This exuberant celebration is supported by the producing team that brought us Broadway’s smash-hit Hadestown, the epic award-winning play The Inheritance, and the acclaimed revival of Little Shop of Horrors. Boldly reimagining an age-old story, HOOD is a gleeful, raucous, contemporary musical about the power of hope in the face of injustice. With some help from ace archer Marian (and, of course, a Merry Band of fellow rebels), Robin strives to outwit the corrupt Sheriff of Nottingham and restore justice to the kingdom. ![]() Five-time Tony ®-nominated playwright Douglas Carter Beane reunites with Lewis Flinn to bring to life this hilarious new musical adventure at Asolo Rep. Here, finally, is the real story of Robin Hood, a nobleman forced out of his home, who seeks revenge not only for himself but against an unjust system. John’s work as an actor or director has also been seen at the Utah Shakespeare Festival, Chicago Shakespeare Theater, Milwaukee Shakespeare Company, Defiant Theatre, Bunny Gumbo, Bialystock and Bloom, Skylight Opera Theatre and more.Presented by arrangement with Hunter Arnold and Tom Kirdahy John’s worked with First Stage in one form or other since 2000 and directed or appeared in more than 25 First Stage productions (from classics to world premieres) as well as having produced more than 50 productions for the First Stage high school programs. Prior to leaving to pursue writing full time, John proudly served in various leadership roles at First Stage in Milwaukee, Wisconsin, one of the America’s largest and most respected theatres for young audiences. Upcoming projects include ANDROMEDA AND THE TRIALS OF HERCULES (with Joe Foust). In addition to his latest, THE LEGEND OF ROCK PAPER SCISSORS, his plays and musicals include GOOSEBUMPS THE MUSICAL: Phantom of the Auditorium (with Danny Abosch), GERONIMO STILTON: MOUSE IN SPACE, JUST A LITTLE CRITTER MUSICAL (with Brett Ryback), NANCY DREW AND HER BIGGEST CASE EVER (with Jeff Frank), ANATOLE (with Lee Becker and James Valcq), a new version of Robin Hood: THE REVOLTING TEENS OF SHERWOOD (with Joe Foust) and NATE THE GREAT (with Brett Ryback). John Maclay is a playwright who specializes in adaptation for Theatres for Young Audiences.
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